Stefan Brüggemann lives and works between London and México D.F. He recently exhibited at Contemporary Art Gallery, Vancouver, Canada, 2014; Museo Jumex, México, 2013; The Netherlands Architecture Institute, Rotterdam, The Netherlands, 2013; Jeu de Paume, París, 2013; Bass Museum, Miami Beach, 2012; Museo d’Arte Contemporanea, Roma, Italy, 2012; Museo Tamayo, México D.F., 2012; Mies van der Rohe Pavillion, Barcelona,
2011; M HKA, Amberes, Belgium, 2011; Fundação Serralves, Porto, Portugal, 2010; Villa du Parc, Anemasse, France, 2010; Kunsthalle Lissabon, Lisboa, 2010; Kunsthalle Bern, Switzerland, 2008.
Philippe Decrauzat is co--founder of the independent space CIRCUIT and professor at Ecole Cantonale d’Art de Lausanne (ECAL). In the past few years, he had solo exhibitions at Le Magasin, Grenoble, 2014; FRAC Le Plateau – Ile--de--France, Paris, 2012; Haus Konstruktiv, Zurich, 2009; Secession, Vienna, 2008; Centre d’Art Contemporaine, Geneve, 2005. He also participated at several group shows as Dynamo. Un siècle de lumière et the mouvement dans l’art. 1913--2013; Galeries Abstract Generation: Now in Print, MoMA, New York; An Exhibition as a Mental Mandala (curated by Mathew Copeland), MUAC, Mexico.
Alan Licht (New Yersey, 1968) has appeared on over 75 recordings that range from minimalist composition to indie rock to free improvisation. Licht was curator at the famed New York experimental music venue Tonic from 2000 until its closing in 2007. He is also the author of Sound Art: Beyond Music, Between Categories (Rizzoli, 2007) and the editor of Will Oldham on Bonnie 'Prince' Billy (Faber & Faber/W.W. Norton, 2012), and has written extensively about the arts for the WIRE, Artforum, Modern Painters, Art Review, Film Coment, Sight & Sound, Purple, Village Voice, Time Out New York, and other publications.