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P a r r a & R o m e r o © 2 0 2 6 A L L R I G H T S R E S E R V E D

ARCOmadrid 2026

A l m u d e n a L o b e r a
W o l f r a m U l l r i c h
V e r a L u t t e r
T u r i S i m e t i
L u í s a J a c i n t o
L a u r a d e G r i n y o
J e a n - M a r c B u s t a m a n t e
I a n W a l l a c e
H e l m u t F e d e r l e
H e i n z M a c k
AND MORE...

Madrid 0 4 . 0 3 . 2 6 – 0 8 . 0 3 . 2 6

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 1)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 2)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 3)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 4)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 5)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 6)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 7)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 8)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 9)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 10)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 11)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 12)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 13)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 14)

Parra & Romero, exhibition: ARCOmadrid 2026 (fig. 15)

@parraromero i n f o @ p a r r a - r o m e r o . c o m

P a r r a & R o m e r o © 2 0 2 6 A L L R I G H T S R E S E R V E D

ARCO MADRID 2026
Booth 9A04

For ARCO MADRID 2026, Parra & Romero presents a booth conceived as a spatial and curatorial project that continues a line of research initiated at last year’s fair, where the stand explored the relationship between art and architecture through a tribute to Sou Fujimoto’s House N.

This year, the proposal takes as its point of departure the work of Venetian architect and designer Carlo Scarpa, particularly the Brion Tomb complex. Circular geometries, framed openings, and a precise dialogue between material & void inform an exhibition environment structured around visual axes and spatial rhythms.

Conceived as a space for slow movement and contemplation, the architecture operates as a curatorial device rather than a neutral setting, guiding the visitor’s experience and activating relationships between the works. In doing so, the stand reinforces the gallery’s ongoing curatorial approach, exploring the intersection of art, architecture, and spatial thinking.

Within this setting, the gallery presents a carefully articulated selection that brings together historical figures, established voices, and recent additions to the program. Key international artists such as Heinz Mack, Helmut Federle, Ian Wallace, Robert Barry and Turi Simeti are shown in dialogue with artists closely linked to the gallery, including Spanish artist Almudena Lobera, Callum Innes, Claudio Parmiggiani, Florian Pumhösl, Philippe Anthonioz and Wolfram Ullrich.

The presentation is further expanded through recent incorporations to the gallery such as Jean-Marc Bustamante, Ibizan artist Laura de Grinyo, Luísa Jacinto, the duo Ornaghi & Prestinari, and Vera Lutter, reinforcing a proposal that balances historical depth, curatorial coherence, and openness to future developments.

Parra & Romero, exhibition: A Continuous Act With a Specific Form (fig. 1) — A Continuous Act With a Specific Form

T u r i S i m e t i

Madrid 1 8 . 0 2 . 2 3 – 1 5 . 0 4 . 2 3

Parra & Romero, exhibition: A Continuous Act With a Specific Form (fig. 2) — A Continuous Act With a Specific Form

T u r i S i m e t i

Madrid 1 8 . 0 2 . 2 3 – 1 5 . 0 4 . 2 3

Parra & Romero, exhibition: A Continuous Act With a Specific Form (Ibiza) (fig. 1) — A Continuous Act With a Specific Form (Ibiza)

T u r i S i m e t i

Ibiza 2 8 . 0 4 . 2 3 – 1 7 . 0 6 . 2 3

Parra & Romero, exhibition: A Continuous Act With a Specific Form (Ibiza) (fig. 2) — A Continuous Act With a Specific Form (Ibiza)

T u r i S i m e t i

Ibiza 2 8 . 0 4 . 2 3 – 1 7 . 0 6 . 2 3

Parra & Romero, exhibition: Basics on Composition / Informal Multitudes (fig. 1) — Basics on Composition / Informal Multitudes

H e l m u t F e d e r l e

Madrid 1 0 . 0 9 . 2 0 – 1 2 . 1 2 . 2 0

Parra & Romero, exhibition: Basics on Composition / Informal Multitudes (fig. 2) — Basics on Composition / Informal Multitudes

H e l m u t F e d e r l e

Madrid 1 0 . 0 9 . 2 0 – 1 2 . 1 2 . 2 0

Parra & Romero, exhibition: Caesura (fig. 1) — Caesura

R o b e r t B a r r y

L u i s C a m n i t z e r

S t é p h a n e D a f f l o n

T h o m a s S c h e i b i t z

I a n W a l l a c e

Ibiza 1 7 . 0 7 . 2 0 – 1 5 . 0 9 . 2 0

Parra & Romero, exhibition: Caesura (fig. 2) — Caesura

R o b e r t B a r r y

L u i s C a m n i t z e r

S t é p h a n e D a f f l o n

T h o m a s S c h e i b i t z

I a n W a l l a c e

Ibiza 1 7 . 0 7 . 2 0 – 1 5 . 0 9 . 2 0

Parra & Romero, exhibition: Callum Innes (fig. 1) — Callum Innes

C a l l u m I n n e s

Ibiza 0 1 . 0 7 . 2 3 – 2 3 . 0 9 . 2 3

Parra & Romero, exhibition: Callum Innes (fig. 2) — Callum Innes

C a l l u m I n n e s

Ibiza 0 1 . 0 7 . 2 3 – 2 3 . 0 9 . 2 3

Parra & Romero, exhibition: Callum Innes (fig. 1) — Callum Innes

C a l l u m I n n e s

Madrid 2 9 . 0 2 . 2 4 – 0 4 . 0 5 . 2 4

Parra & Romero, exhibition: Callum Innes (fig. 2) — Callum Innes

C a l l u m I n n e s

Madrid 2 9 . 0 2 . 2 4 – 0 4 . 0 5 . 2 4

Parra & Romero, exhibition: CHRONOTOPES (fig. 1) — CHRONOTOPES

L a r a A l m a r c e g u i

R o b e r t B a r r y

R o s a B a r b a

A l e j a n d r o C e s a r c o

D a v i d L a m e l a s

O r i o l V i l a n o v a

I a n W a l l a c e

Madrid 2 8 . 1 1 . 1 9 – 1 2 . 0 2 . 2 0

Parra & Romero, exhibition: CHRONOTOPES (fig. 2) — CHRONOTOPES

L a r a A l m a r c e g u i

R o b e r t B a r r y

R o s a B a r b a

A l e j a n d r o C e s a r c o

D a v i d L a m e l a s

O r i o l V i l a n o v a

I a n W a l l a c e

Madrid 2 8 . 1 1 . 1 9 – 1 2 . 0 2 . 2 0

Parra & Romero, exhibition: Claudio Parmiggiani (fig. 1) — Claudio Parmiggiani

C l a u d i o P a r m i g g i a n i

Madrid 1 2 . 0 2 . 2 2 – 2 3 . 0 4 . 2 2

Parra & Romero, exhibition: Claudio Parmiggiani (fig. 2) — Claudio Parmiggiani

C l a u d i o P a r m i g g i a n i

Madrid 1 2 . 0 2 . 2 2 – 2 3 . 0 4 . 2 2

Parra & Romero, exhibition: Form and Spirit (fig. 1) — Form and Spirit

L a u r a d e G r i n y o

Ibiza 0 6 . 1 2 . 2 5 – 1 8 . 0 1 . 2 5

Parra & Romero, exhibition: Form and Spirit (fig. 2) — Form and Spirit

L a u r a d e G r i n y o

Ibiza 0 6 . 1 2 . 2 5 – 1 8 . 0 1 . 2 5

Parra & Romero, exhibition: If the Eyes Were not Sun-Like… (fig. 1) — If the Eyes Were not Sun-Like…

H e i n z M a c k

Madrid 1 7 . 1 2 . 2 0 – 2 7 . 0 3 . 2 1

Parra & Romero, exhibition: If the Eyes Were not Sun-Like… (fig. 2) — If the Eyes Were not Sun-Like…

H e i n z M a c k

Madrid 1 7 . 1 2 . 2 0 – 2 7 . 0 3 . 2 1

Parra & Romero, exhibition: In the Museum (With a Tribute to Lawrence Weiner) (fig. 1) — In the Museum (With a Tribute to Lawrence Weiner)

I a n W a l l a c e

Ibiza 0 1 . 0 7 . 2 3 – 2 3 . 0 9 . 2 3

Parra & Romero, exhibition: In the Museum (With a Tribute to Lawrence Weiner) (fig. 2) — In the Museum (With a Tribute to Lawrence Weiner)

I a n W a l l a c e

Ibiza 0 1 . 0 7 . 2 3 – 2 3 . 0 9 . 2 3

Parra & Romero, exhibition: Inhabiting the Fold (fig. 1) — Inhabiting the Fold

A l m u d e n a L o b e r a

C r i s t i n a M e j í a s

F u e n t e s a l A r e n i l l a s

R a f a M u n á r r i z

Madrid 2 5 . 0 5 . 2 3 – 2 2 . 0 7 . 2 3

Parra & Romero, exhibition: Inhabiting the Fold (fig. 2) — Inhabiting the Fold

A l m u d e n a L o b e r a

C r i s t i n a M e j í a s

F u e n t e s a l A r e n i l l a s

R a f a M u n á r r i z

Madrid 2 5 . 0 5 . 2 3 – 2 2 . 0 7 . 2 3

Parra & Romero, exhibition: Works From 1995 - 2025 (fig. 1) — Works From 1995 - 2025

J e a n - M a r c B u s t a m a n t e

Ibiza 0 6 . 0 6 . 2 5 – 1 0 . 0 8 . 2 5

Parra & Romero, exhibition: Works From 1995 - 2025 (fig. 2) — Works From 1995 - 2025

J e a n - M a r c B u s t a m a n t e

Ibiza 0 6 . 0 6 . 2 5 – 1 0 . 0 8 . 2 5

Parra & Romero, exhibition: Mack. Chromatische Konstellation (fig. 1) — Mack. Chromatische Konstellation

H e i n z M a c k

Madrid 2 5 . 1 1 . 2 3 – 2 4 . 0 2 . 2 4

Parra & Romero, exhibition: Mack. Chromatische Konstellation (fig. 2) — Mack. Chromatische Konstellation

H e i n z M a c k

Madrid 2 5 . 1 1 . 2 3 – 2 4 . 0 2 . 2 4

Parra & Romero, exhibition: MODO. To Found, to Cut, to Stack, to Fold and Other Possible Solutions to Alter a Form (fig. 1) — MODO. To Found, to Cut, to Stack, to Fold and Other Possible Solutions to Alter a Form

W o l f r a m U l l r i c h

Madrid 2 1 . 1 1 . 2 4 – 1 5 . 0 2 . 2 5

Parra & Romero, exhibition: MODO. To Found, to Cut, to Stack, to Fold and Other Possible Solutions to Alter a Form (fig. 2) — MODO. To Found, to Cut, to Stack, to Fold and Other Possible Solutions to Alter a Form

W o l f r a m U l l r i c h

Madrid 2 1 . 1 1 . 2 4 – 1 5 . 0 2 . 2 5

Parra & Romero, exhibition: My Shadow Is Yours (fig. 1) — My Shadow Is Yours

L u í s a J a c i n t o

Madrid 1 1 . 0 9 . 2 5 – 0 8 . 1 1 . 2 5

Parra & Romero, exhibition: My Shadow Is Yours (fig. 2) — My Shadow Is Yours

L u í s a J a c i n t o

Madrid 1 1 . 0 9 . 2 5 – 0 8 . 1 1 . 2 5

Parra & Romero, exhibition: Rehearsing Reality: Constructing the Present (fig. 1) — Rehearsing Reality: Constructing the Present

J e f f W a l l

I a n W a l l a c e

Madrid 2 6 . 0 2 . 2 6 – 0 2 . 0 5 . 2 6

Parra & Romero, exhibition: Rehearsing Reality: Constructing the Present (fig. 2) — Rehearsing Reality: Constructing the Present

J e f f W a l l

I a n W a l l a c e

Madrid 2 6 . 0 2 . 2 6 – 0 2 . 0 5 . 2 6

Parra & Romero, exhibition: Resonancias (fig. 1) — Resonancias

I a n W a l l a c e

Madrid 2 5 . 0 4 . 1 9 – 2 0 . 0 7 . 1 9

Parra & Romero, exhibition: Resonancias (fig. 2) — Resonancias

I a n W a l l a c e

Madrid 2 5 . 0 4 . 1 9 – 2 0 . 0 7 . 1 9

Parra & Romero, exhibition: Rest (fig. 1) — Rest

A l m u d e n a L o b e r a

Madrid 1 2 . 0 9 . 2 4 – 0 9 . 1 1 . 2 4

Parra & Romero, exhibition: Rest (fig. 2) — Rest

A l m u d e n a L o b e r a

Madrid 1 2 . 0 9 . 2 4 – 0 9 . 1 1 . 2 4

Parra & Romero, exhibition: Speak Memory (fig. 1) — Speak Memory

V e r a L u t t e r

Ibiza 1 8 . 0 8 . 2 5 – 2 5 . 1 0 . 2 5

Parra & Romero, exhibition: Speak Memory (fig. 2) — Speak Memory

V e r a L u t t e r

Ibiza 1 8 . 0 8 . 2 5 – 2 5 . 1 0 . 2 5

Parra & Romero, exhibition: Upcoming: GIUNTI (Juntas) (fig. 1) — Upcoming: GIUNTI (Juntas)

O r n a g h i & P r e s t i n a r i

Ibiza 2 1 . 0 3 . 2 6 – 2 3 . 0 5 . 2 6

Parra & Romero, exhibition: Upcoming: GIUNTI (Juntas) (fig. 2) — Upcoming: GIUNTI (Juntas)

O r n a g h i & P r e s t i n a r i

Ibiza 2 1 . 0 3 . 2 6 – 2 3 . 0 5 . 2 6

Parra & Romero, exhibition: Wittgenstein’s Paradox (fig. 1) — Wittgenstein’s Paradox

L i z D e s c h e n e s

H e l m u t F e d e r l e

C a l l u m I n n e s

A n n V e r ó n i c a J a n s s e n s

F l o r i a n P u m h ö s l

I a n W a l l a c e

Ibiza 2 9 . 0 6 . 2 4 – 1 0 . 0 8 . 2 4

Parra & Romero, exhibition: Wittgenstein’s Paradox (fig. 2) — Wittgenstein’s Paradox

L i z D e s c h e n e s

H e l m u t F e d e r l e

C a l l u m I n n e s

A n n V e r ó n i c a J a n s s e n s

F l o r i a n P u m h ö s l

I a n W a l l a c e

Ibiza 2 9 . 0 6 . 2 4 – 1 0 . 0 8 . 2 4

Parra & Romero, exhibition: Words and Deeds (fig. 1) — Words and Deeds

R o b e r t B a r r y

I a n W a l l a c e

L u i s C a m n i t z e r

Madrid 2 5 . 0 6 . 2 0 – 3 1 . 0 7 . 2 0

Parra & Romero, exhibition: Words and Deeds (fig. 2) — Words and Deeds

R o b e r t B a r r y

I a n W a l l a c e

L u i s C a m n i t z e r

Madrid 2 5 . 0 6 . 2 0 – 3 1 . 0 7 . 2 0

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 1)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 2)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 3)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 4)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 5)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 6)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 7)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 8)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 9)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 10)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 11)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 12)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 13)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 14)

Parra & Romero, artwork: ARCOmadrid 2026 (fig. 15)