Haroon Mirza

Reality is somehow what we expect it to be, exhibition view at IKON Gallery, Birmingham, UK (2018). Photo: Handover Agency.
06.04 (LED Circuit Composition 16), 2016
Rules of Appropriation 4 (Power to Instagram), 2018
Reality is somehow what we expect it to be, exhibition view at IKON Gallery, Birmingham, UK (2018). Photo: Handover Agency.
Tones in the key of electricity, 2019. Exhibition view at Sifang Art Museum, Nanjing, China.
Tones in the key of electricity., 2019. Exhibition view at Sifang Art Museum, Nanjing, China.
/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|, 2012. Exhibition view at Spike Island, Bristol. Photo: Stuart Whipps.
Pavilion for Optimisation, 2013. Installation view at Museum Tinguely, Basel, 2015.
A C I D G E S T, 2017. Commission for Pérez Art Museum Miami. Photo: Oriol Tarridas.
The Construction of an Act, 2019. Live performance at the Australian Centre for Contemporary Art, Melbourne. Dancers: Chess Boughey and Julie Cunningham. Photo: Jacqui Shelton.
LED Circuit Composition 9, 2014
Light Work XXII, 2013

 

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