Parra & Romero | Exhibitions

Upcoming: GIUNTI (Juntas)

O r n a g h i & P r e s t i n a r i

Ibiza 2 1 . 0 3 . 2 6 – 2 3 . 0 5 . 2 6

ARCOmadrid 2026

Madrid 0 4 . 0 3 . 2 6 – 0 8 . 0 3 . 2 6

Rehearsing Reality: Constructing the Present

J e f f W a l l
I a n W a l l a c e

Madrid 2 6 . 0 2 . 2 6 – 0 2 . 0 5 . 2 6

Form and Spirit

L a u r a d e G r i n y o

Ibiza 0 6 . 1 2 . 2 5 – 1 8 . 0 1 . 2 5

Tabique

F l o r i a n P u m h ö s l

Madrid 1 3 . 1 1 . 2 5 – 1 4 . 0 2 . 2 6

My Shadow Is Yours

L u í s a J a c i n t o

Madrid 1 1 . 0 9 . 2 5 – 0 8 . 1 1 . 2 5

Speak Memory

V e r a L u t t e r

Ibiza 1 8 . 0 8 . 2 5 – 2 5 . 1 0 . 2 5

Works From 1995 - 2025

J e a n - M a r c B u s t a m a n t e

Ibiza 0 6 . 0 6 . 2 5 – 1 0 . 0 8 . 2 5

Music Shattered

Madrid 1 1 . 0 5 . 2 5 – 2 6 . 0 7 . 2 5

If Walls Could Talk…

R o b e r t B a r r y

Madrid 2 7 . 0 3 . 2 5 – 1 0 . 0 5 . 2 5

MODO. To Found, to Cut, to Stack, to Fold and Other Possible Solutions to Alter a Form

W o l f r a m U l l r i c h

Madrid 2 1 . 1 1 . 2 4 – 1 5 . 0 2 . 2 5

Rest

A l m u d e n a L o b e r a

Madrid 1 2 . 0 9 . 2 4 – 0 9 . 1 1 . 2 4

Blowing in the wind

A f i N a y o
P h i l i p p e A n t h o n i o z

Ibiza 1 7 . 0 8 . 2 4 – 1 5 . 1 2 . 2 4

Wittgenstein’s Paradox

Ibiza 2 9 . 0 6 . 2 4 – 1 0 . 0 8 . 2 4

Liz Deschenes

L i z D e s c h e n e s

Madrid 1 1 . 0 5 . 2 4 – 2 7 . 0 7 . 2 4

OSSI DI SEPPIA

U g o M u l a s

Ibiza 0 2 . 0 4 . 2 4 – 0 1 . 0 6 . 2 4

Callum Innes

C a l l u m I n n e s

Madrid 2 9 . 0 2 . 2 4 – 0 4 . 0 5 . 2 4

Mack. Chromatische Konstellation

H e i n z M a c k

Madrid 2 5 . 1 1 . 2 3 – 2 4 . 0 2 . 2 4

Twenty-Twenty Vision

D a v i d M a g á n

Madrid 1 2 . 0 9 . 2 3 – 1 8 . 1 1 . 2 3

Callum Innes

C a l l u m I n n e s

Ibiza 0 1 . 0 7 . 2 3 – 2 3 . 0 9 . 2 3

In the Museum (With a Tribute to Lawrence Weiner)

I a n W a l l a c e

Ibiza 0 1 . 0 7 . 2 3 – 2 3 . 0 9 . 2 3

Inhabiting the Fold

Madrid 2 5 . 0 5 . 2 3 – 2 2 . 0 7 . 2 3

A Continuous Act With a Specific Form (Ibiza)

T u r i S i m e t i

Ibiza 2 8 . 0 4 . 2 3 – 1 7 . 0 6 . 2 3

A Continuous Act With a Specific Form

T u r i S i m e t i

Madrid 1 8 . 0 2 . 2 3 – 1 5 . 0 4 . 2 3

Sculptures

P h i l i p p e A n t h o n i o z

Madrid 1 7 . 1 2 . 2 2 – 1 1 . 0 2 . 2 3

Dadamaino: 1930-2004. Dal movimiento alla proteste mute

D a d a m a i n o

Madrid 0 8 . 0 9 . 2 2 – 0 3 . 1 2 . 2 2

Different Trains / Different Trains

F r e d e r i c A n d e r s o n

Madrid 2 8 . 0 4 . 2 2 – 1 6 . 0 7 . 2 2

Claudio Parmiggiani

C l a u d i o P a r m i g g i a n i

Madrid 1 2 . 0 2 . 2 2 – 2 3 . 0 4 . 2 2

Something That Cannot Be Denied

L u i s C a m n i t z e r

Madrid 1 1 . 1 2 . 2 1 – 2 9 . 0 1 . 2 2

AZIMUTH: UNA NUOVA CONCEZIONE ARTISTICA

E n r i c o C a s t e l l a n i
L u c i o F o n t a n a
P i e r o M a n z o n i

Madrid 0 9 . 0 9 . 2 1 – 0 4 . 1 2 . 2 1

Portraits

U g o M u l a s

Ibiza 0 9 . 0 7 . 2 1 – 1 1 . 0 9 . 2 1

Sidewalks, Fences and Walls

Ibiza 0 9 . 0 7 . 2 1 – 1 1 . 0 9 . 2 1

Portraits

U g o M u l a s

Madrid 2 9 . 0 4 . 2 1 – 2 7 . 0 6 . 2 1

If the Eyes Were not Sun-Like…

H e i n z M a c k

Madrid 1 7 . 1 2 . 2 0 – 2 7 . 0 3 . 2 1

Basics on Composition / Informal Multitudes

H e l m u t F e d e r l e

Madrid 1 0 . 0 9 . 2 0 – 1 2 . 1 2 . 2 0

Caesura

Ibiza 1 7 . 0 7 . 2 0 – 1 5 . 0 9 . 2 0

Words and Deeds

R o b e r t B a r r y
I a n W a l l a c e
L u i s C a m n i t z e r

Madrid 2 5 . 0 6 . 2 0 – 3 1 . 0 7 . 2 0

Turn and Wind

R o s a B a r b a

Madrid 2 6 . 0 2 . 2 0 – 0 1 . 0 6 . 2 0

CHRONOTOPES

Madrid 2 8 . 1 1 . 1 9 – 1 2 . 0 2 . 2 0

Luisa Lambri

L u i s a L a m b r i

Madrid 1 1 . 1 0 . 1 9 – 1 6 . 1 1 . 1 9

A Broken Arm of an Island

T h o m a s S c h e i b i t z

Ibiza 3 1 . 0 5 . 1 9 – 0 5 . 1 0 . 1 9

Argela

L a r a A l m a r c e g u i

Ibiza 2 5 . 0 4 . 1 9 – 2 0 . 0 7 . 1 9

Resonancias

I a n W a l l a c e

Madrid 2 5 . 0 4 . 1 9 – 2 0 . 0 7 . 1 9

1968-2018

L u i s C a m n i t z e r

Madrid 2 7 . 0 2 . 1 9 – 1 3 . 0 4 . 1 9

Photographs in Different Sizes

A l e j a n d r o C e s a r c o

Madrid 1 5 . 1 1 . 1 8 – 0 9 . 0 2 . 1 9

Unfinished Installation

M a r t i n a K l e i n
C h a r l o t t e P o s e n e n s k e

Madrid 1 2 . 0 9 . 1 8 – 0 3 . 1 1 . 1 8

Hi-Speed Contrast

S t e f a n B r ü g g e m a n n

Ibiza 0 1 . 0 6 . 1 8 – 3 0 . 0 9 . 1 8

38°58’29.65”N 1°26’34.24”E

L u i s C a m n i t z e r

Ibiza 0 1 . 0 6 . 1 8 – 3 0 . 0 9 . 1 8

Parra & Romero, exhibition: 20° (thumbnail)

20°

S t é p h a n e D a f f l o n

Madrid 1 9 . 0 4 . 1 8 – 2 7 . 0 7 . 1 8

How things have changed…

R o b e r t B a r r y

Madrid 2 1 . 0 2 . 1 8 – 1 0 . 0 4 . 1 8

PHILIPPE DECRAUZAT – MICHEL PARMENTIER

P h i l i p p e D e c r a u z a t
M i c h e l P a r m e n t i e r

Madrid 2 5 . 1 1 . 1 7 – 0 3 . 0 2 . 1 8

42 Días

O r i o l V i l a n o v a

Madrid 1 3 . 0 9 . 1 7 – 0 4 . 1 1 . 1 7

Holes of Light

N a n c y H o l t

Ibiza 0 2 . 0 6 . 1 7 – 3 0 . 0 9 . 1 7

Yet More Letters to the Reader

W a l i d R a a d

Ibiza 0 2 . 0 6 . 1 7 – 3 0 . 0 9 . 1 7

INTERSECTION

Madrid 2 7 . 0 4 . 1 7 – 2 5 . 0 7 . 1 7

Tenir pendant que le balancement se meurt

P h i l i p p e D e c r a u z a t

Madrid 2 2 . 0 2 . 1 7 – 0 8 . 0 4 . 1 7

Dibujos

L u i s C a m n i t z e r

Madrid 2 6 . 1 0 . 1 6 – 0 4 . 0 2 . 1 7

Intimidad Territorial

D a v i d L a m e l a s

Madrid 1 5 . 0 9 . 1 6 – 2 1 . 1 0 . 1 6

OUTDOOR SCULPTURE PROJECT

S t e f a n B r ü g g e m a n n
L u i s C a m n i t z e r
P h i l i p p e D e c r a u z a t

Ibiza 2 2 . 0 7 . 1 6 – 0 8 . 1 0 . 1 6

Accrochage

Madrid 1 2 . 0 5 . 1 6 – 3 0 . 0 7 . 1 6

Reflections

R o b e r t B a r r y

Ibiza 0 3 . 0 5 . 1 6 – 0 8 . 1 0 . 1 6

Thoughts of sorts

R o s a B a r b a

Madrid 2 4 . 0 2 . 1 6 – 2 3 . 0 4 . 1 6

Alteration of character

F l o r i a n P u m h ö s l

Madrid 1 9 . 1 1 . 1 5 – 0 1 . 0 3 . 1 6

Unrest

P a l o m a P o l o

Madrid 1 0 . 0 9 . 1 5 – 1 4 . 1 1 . 1 5

Anisotropy

P h i l i p p e D e c r a u z a t

Ibiza 0 5 . 0 6 . 1 5 – 2 4 . 1 0 . 1 5

Timeless

S t e f a n B r ü g g e m a n n

Ibiza 0 5 . 0 6 . 1 5 – 2 4 . 1 0 . 1 5

Otros ejemplos recientes

A l e j a n d r o C e s a r c o

Madrid 2 4 . 0 5 . 1 5 – 0 1 . 0 8 . 1 5

The Space Between

R o b e r t B a r r y

Madrid 2 3 . 0 4 . 1 5 – 2 0 . 0 6 . 1 5

15.92 x 16

T h o m a s S c h e i b i t z

Madrid 2 5 . 0 2 . 1 5 – 1 8 . 0 4 . 1 5

Lighting Cross

S t é p h a n e D a f f l o n

Madrid 1 8 . 0 9 . 1 4 – 2 9 . 1 1 . 1 4

This is not an exit

S t e f a n B r ü g g e m a n n

Madrid 2 5 . 0 6 . 1 4 – 3 1 . 0 7 . 1 4

EPICENTRE : CONVERSATIONS AND DISCUSSIONS BETWEEN ARTISTS

Ibiza 0 1 . 0 6 . 1 4 – 0 1 . 1 0 . 1 4

PLACED SOMEPLACE WITH INTENT

Madrid 1 0 . 0 4 . 1 4 – 2 1 . 0 6 . 1 4

The Map

L u i s C a m n i t z e r

Madrid 1 9 . 0 9 . 1 3 – 0 6 . 1 1 . 1 3

THINGS FROM BEFORE BESIDE, THINGS FROM AFTER AROUND, THINGS OF THE MOMENT

Ibiza 1 3 . 0 7 . 1 3 – 2 8 . 0 9 . 1 3

La noche agranda su silencio

A l e j a n d r o C e s a r c o

Madrid 0 4 . 0 6 . 1 3 – 3 0 . 0 7 . 1 3

Geometric exercises

G e r m a i n e K r u i p

Madrid 2 5 . 0 4 . 1 3 – 3 0 . 0 5 . 1 3

Corps Flottants

P h i l i p p e D e c r a u z a t

Madrid 0 8 . 0 2 . 1 3 – 1 8 . 0 4 . 1 3

The light at the edge of a nightmare

D a v i d L a m e l a s

Madrid 2 0 . 0 9 . 1 2 – 2 1 . 1 1 . 1 2

(No unease can be noticed)

K a j s a D a h l b e r g

Madrid 2 1 . 0 6 . 1 2 – 2 8 . 0 6 . 1 2

Quizá es cierto en teoría

O r i o l V i l a n o v a

Madrid 0 5 . 0 5 . 1 2 – 1 6 . 0 6 . 1 2

SHIVER IN THE SHIFT

Madrid 2 4 . 0 3 . 1 2 – 2 8 . 0 4 . 1 2

Text pieces, obliterated mirrors & tautological paintings

S t e f a n B r ü g g e m a n n

Madrid 1 9 . 0 1 . 1 2 – 1 7 . 0 3 . 1 2

Reflejos y reflexiones

L u i s C a m n i t z e r

Madrid 0 3 . 1 1 . 1 1 – 1 4 . 0 1 . 1 2

VENTAJAS DE VIAJAR EN TREN

Madrid 1 2 . 0 9 . 1 1 – 2 9 . 1 0 . 1 1